Born in Flames: Feminist Futures

Born in Flames, Feminist Futures is a group exhibition and the unique thought-experiment of fourteen femme-identified and non-binary artists, each who examine current struggles and strategies for equity and justice in our modern world through speculative futures.  

The exhibition takes its name from Lizzie Borden’s iconic 1983 documentary-style feminist fiction film, Born In Flames which explores racism, classism, sexism, and heterosexism in an alternative United States socialist democracy.  The film sets forth an essential question within the exhibition: What can the future hold if our present is part of a long-standing cycle of capitalist values? Each artist presents a unique and bold response to this question through imaginings of alternate realities and visions of the supernatural.

Born In Flames: Feminist Futures presents works created over the last four decades, bringing together intergenerational perspectives and intersecting social and political identities. 

Curated by Jasmine Wahi, Holly Block Curator of Social Justice.

To view a virtual 360˚ version of this exhibition, please click here*

*This tour is interactive! Use your mouse or the arrows on your keyboard to look around and navigate the tour. You can move to any section of the gallery by clicking on the large circles on the gallery floor. We invite you to click on the Information Icon to learn more about the art work and the artist. If you’d like to view the tour full screen, double click anywhere in the tour window. This tour can also be explored using a VR or Google Cardboard headset and is accessible via phone, tablet or computer.

Apr 28 - Sep 21, 2021

Exhibition Artists

Caitlin Cherry
Chitra Ganesh​
Clarissa Tossin
Firelei Baez
Huma Bhabha​
Lizzie Borden​
Maria Berrio
Pamela Phatsimo Sunstrum​
Rose B. Simpson
Saya Woolfalk​
Sin Wai Kin (fka Victoria Sin)
Shoshanna Weinberger
Tourmaline
Wangechi Mutu​ 

Exhibition Support

Support for Born in Flames: Feminist Futures is made possible by the Henry Luce Foundation, Rockefeller Brothers Fund: Culpeper Arts & Culture Program, Agnes Gund, Kathleen Landy and The Feminist Institute, Carole Server and Oliver Frankel, Elden Services, Mamais Construction, Island Acoustics, LLC, Gotham Drywall, Inc., Kamco Supply Corp., and SRI Fine Art Services.

    • Pieces in order (left to right): Wangechi Mutu. Mary & Magda, 2018. Wangechi Mutu. Mwotaji the Dreamer, 2016. (behind the first "Heeler") Wangechi Mutu. Heelers, 2016. (the 3 works in the foreground) Installation image by Argenis Apolinario Photography.
    • Lizzie Borden. Born in Flames, 1983. Film Still. Installation image by Argenis Apolinario Photography.
    • Pieces in order (left to right): Rose B. Simpson. Doll, 2018. (background) Caitlin Cherry. Her Widescreen Tetra, 2021. Rose B. Simpson. The Remembering, 2020. (foreground) Installation image by Argenis Apolinario Photography.
    • Caitlin Cherry. Her Widescreen Tetra, 2021. Installation image by Argenis Apolinario Photography.
    • Pieces in order (left to right): Rose B. Simpson. The Remembering, 2020. Shoshanna Weinberger. Traversing the Invisible Lines, 2021. Firelei Baez. Untitled (New Chart of the Windward Passages), 2020. (on the wall) Maria Berrio. The Petition, 2019. (on the ground) Installation image by Argenis Apolinario Photography.
    • Maria Berrio. The Petition, 2019. Installation image by Argenis Apolinario Photography.
    • Pieces in order (left to right): Caitlin Cherry. Her Widescreen Tetra, 2021 Firelei Baez. On rest and resistance, Because we love you (to all those stolen from among us), 2020. (on the middle wall) Maria Berrio. The Petition, 2019. (on the ground) Firelei Baez. Untitled (New Chart of the Windward Passages), 2020. (on the far wall) Installation image by Argenis Apolinario Photography.
    • Pieces in order (left to right): Pamela Phatsimo Sunstrum, Flamingo, 2018. Pamela Phatsimo Sunstrum, Sister, 2018. Pamela Phatsimo Sunstrum, Aside, 2020. Pamela Phatsimo Sunstrum, Gallop, 2020. Installation image by Argenis Apolinario Photography.
    • Clarissa Tossin. When the River Meets the Sea, 2020. (foreground) Clarissa Tossin. Nova Gramática de Formas (New grammar of forms), 2020. (background) Installation image by Argenis Apolinario Photography.
    • Sin Wai Kin. Today’s Top Stories, 2020. Installation images by Argenis Apolinario Photography.
    • Tourmaline. Summer Azure, 2020. Tourmaline. Coral Hairstreak, 2020. Installation image by Argenis Apolinario Photography.
    • Pieces in order (from left to right): Huma Bhabha. The Past is a Foreign Country, 2019. Huma Bhabha. I Was Invited, 2020 Huma Bhabha. Ground, 2019. Huma Bhabha. Mask of Dimitrios, 2019 Huma Bhabha. Imagine Now for Ages, 2019. Installation image by Argenis Apolinario Photography.
    • Saya Woolfalk. Daishikimono (daywear for lands not yet habitable by humankind), 2020. (mixed media installation on the wall). Installation image by Argenis Apolinario Photography.
    • Chitra Ganesh. Untitled, series of archival inkjet prints. 2021. Installation image by Argenis Apolinario Photography.
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