Teen Council Online Exhibition: 'Party of Twelve, Please?'

Virtual Exhibition (Online Only)
February 12 – April 6, 2025

Teen Council Fall 2024 Participants: Lorraine (Lo) Boller, Dylan De Los Santos, Nadia Duncan, Assitan Kone, Tea Lazri, Layla Lucas, Ami Noudjo, David Pardo, Nowshad Reza, Blaise Tasnim, Thalia Vallejo, Joseph Vicente

Bronx Museum Educators: Wildriana de Jesús Paulino, Jinette Jimenez, Hayley Mackenzie Bain

Feb 12 - Apr 6, 2025

Exhibition Overview

Description By Teen Council:

“This group show, titled ‘Party of Twelve, Please?,’ features twelve monoprints, each created by a member of The Bronx Museum’s Fall 2024 Teen Council cohort.

“These monoprints were achieved through the collaborative efforts of each Council member, with each one taking the initiative to bring their unique perspective into the project.

“Looking to FUTURA 2000’s work as a surface to jump off of, they rose to the challenge of experimenting with abstraction, offering their distinct interpretations that come together to create a unified vision.

“These works are a mouthpiece for young voices that ask to be understood and invite the viewer to participate in the conversation by leaving space for the audience to develop a perspective of their own.”

Keep scrolling down the page to learn more about each Teen Council member’s artwork!

Lorraine Boller, 'Innovative'

I have grown up in a family of artists and inventors. My grandfather built his home from the ground up, creating his life from scratch. My grandmother grew up painting, and has used her experience to coach people of all ages on painting technique as she’s gotten older. My father fell in love with the bass at age 14, moving to NYC immediately after graduating from college to pursue his dreams of playing music. My mother, the youngest of seven siblings from a small 2-bedroom apartment in Tudor City, has always sewn her own clothes, restyling hand-me-downs for herself, my father, and my brother and I. She also repurposed and upcycled materials to create masks for community members during quarantine. Her mother was also a painter, and had a career in speech therapy to help people find and powerfully use their voices. My childhood was spent dancing to music my father composed in outfits my mother made, with paintings of my grandmothers watching over me. I have been inspired by the innovation of each member of my family, and it has motivated me in all aspects of my life, including my own art practices. The blocks of overlapping color serve to represent the intersectionality of my family’s different artistic styles and how they’ve blended together to spark my own growth. The diagonal of the letters in contrast with the binary vertical and horizontal lines show how I am developing my own unique interpretation of my family’s artistic attributes.

Lorraine Boller, 'Innovative,' 2024, Monoprint.

Dylan De Los Santos, 'Skyfall'

Beyond everybody’s difference, the sky holds our dreams, ambitions, and emotions. Through its vibrant colors and patterns, the sky connects us as humans and serves as a reminder of our freedom and limitations. This piece showcases a variety of colors which were used to depict the New York sky.

Dylan De Los Santos, 'Skyfall,' 2024, Monoprint

Nadia Duncan, 'Vocally free'

A void of lingering eyes scattered alongside bright vibrant colors, with the word “vocal” spread across. This depicts the uncontrollable chaos of questions, thoughts, or opinions that roam within my head. The vibrant splatters of an array of colors are hidden behind the word vocal to symbolize the behind-the-scenes of a mind that is consumed by thoughts. I believe the voice is a form of high power. So, using it to express the accumulative thoughts that I possess in my head gives me a form of relief. Even when my thoughts are not properly processed, just the feeling of being able to blurt out my trapped thoughts provides me a place of escapism.

Nadia Duncan, 'Vocally free,' 2024, Monoprint

Assitan Kone, 'Googly eyes'

In the halls where history stands tall, silence resonates with strength and resilience. Questions suffocate my ears, buzzing like relentless mosquitoes whispering, “A new journey to self-discovery.” My consciousness alerts me, urging me to stay awake and capture the actions and behaviors of those who express distasteful words. I observe how they act towards me and their reactions to my words. The saturation of colors expressed is nothing but my occipital and temporal lobes signaling each other, urging me to pay attention to those whose energy doesn’t align with mine. I must learn to let go in order to live freely, distancing myself from those who won’t strive to improve themselves and flourish. My brain is my shield.

Assitan Kone , 'Googly eyes,' 2024, Monoprint

Tea Lazri, 'Introspection, the Well'

Where does a train of thought begin and end? A well of consciousness has hazy ends and beginnings. When asked to choose a word to summarize self-definition, “introspective” stood out as a word central to my relationship with myself. It starts in what can be either depth or obscurity, trickling its way up to clarity or lack of depth. I use the letters, decreasing in size and magnanimity as they get closer to the surface, to continue this metaphor of depth and water. The metaphor of water is like that of Narcissus. How far back can you look into yourself before being considered literally too absorbed with yourself? As a teenager, reflecting too much on your self pity can drown you and make you detached from reality. While I don’t view it as a healthy habit, trying to dive as far deep into yourself and your experiences can give richness and opacity to life, and this work.

Tea Lazri, 'Introspection, the Well, 2024, Monoprint

Layla Lucas, 'Aurora'

‘Aurora’ is a piece created for love and femininity. The idea for this piece came from my love for the northern lights, also known as “Aurora”. I then wrote a short poem: 

Aurora is colorful 

Aurora is me

I gleam colors like Aurora in the sea

When making this piece, I knew I wanted a sunset color scheme, opposite to the typical colors you would see on the northern lights, with a woman in the middle to be Aurora spreading her colorful passion and love around. The femininity of this piece honestly came while creating, it was semi-unintentional, yet it felt very right as I like to believe women are the embodiment of emotion and love.

Layla Lucas, 'Aurora,' 2024, Monoprint

Ami Noudjo, 'The unfathomable'

The unexpected is a void; a void waiting to be explored. It is unknown and untouched, just like the summer sky or perhaps the dark blue ocean. Over time, whether on purpose or not, the line often becomes a blur. Every day is a new day full of new beginnings, so why not tackle it head-on? Instead of waiting, choose to act; the time will never be right unless you make it the right time. There are so many opportunities out there, however, nobody can do the exact things you can do. As a person who has spent all their life waiting, my previous experiences have taught me to try before limiting myself. This artwork is a mirror of me, the two colors illustrate my two worlds clashing together while this question keeps replaying in my mind. So? Who? If not I?

Ami Noudjo, 'The unfathomable,' 2024, Monoprint

David Pardo, 'Energetic'

This art piece creates a sensation of motion and energy with dramatic, swirling black and purple circular motions. A portal-like impression is created by the layers of concentric circles and the interior colors of purple, blue, and black, creating a vortex to display an abyss or illusion, by directing the viewer’s attention to the center. The placement of the letters that spell out “energetic” reflects the wild and vibrant character of energy itself, which serves to further emphasize the topic. The light and dark colors create an atmosphere that gives the piece a sense of life and motion. The color purple is a great way to convey inventiveness and vitality, which is exactly what the term “energetic” means.

David Pardo, 'Energetic,' 2024, Monoprint.

Nowshad Reza, 'Optimism'

The word optimistic means to be hopeful and confident in the future. This piece of art is an accurate visual representation of the word. Each color on this piece dripped from one end of the paper to the other to create the final product. With little to no idea what the piece would look like when dry, a sense of optimism was needed. Optimism allowed me to navigate the challenges and keep a positive mindset to focus on the growth and possibilities of my piece.

Nowshad Reza, 'Optimism,' 2024, Monoprint

Blaise Tasnim, 'time, the fleeting present'

‘time, the fleeting present’ is a deconstruction of one of the greatest forces there has ever been. Time, the ruthlessly abstract and grounded concept that dictates the nature of our lives, is often humanity’s greatest strength or greatest antagonist. Our forces of death and creation are inextricable from the notion of passing time. In the piece, a skeleton is imprinted in the empty ribs of the paint, inked entirely following the preexisting lines. She reaches for something out of her grasp. I think nostalgia is a haunting feeling. We are losing every moment constantly, and nothing will ever be quite the same as it was. We never truly stop grieving time, or forgiving it, or ourselves for forgetting it. There is a melancholy in that living is an endless funeral for all that there was. In the same vein, we can find hope, creation, and light in our lives, too.

Blaise Tasnim, 'time, the fleeting present,' 2024, Monoprint

Thalia Vallejo, 'Fable Love'

‘Fable Love’ to me is an embodiment of love and happiness in our lives. While love and happiness can be gained and accessed from anywhere, it can also be lost anywhere and anytime. But in times of need and despair, we must hold on to the belief that we make our happiness. We must acknowledge how indifferent the universe is towards our struggles and humble ourselves with the notion that nothing and no one can tell you who you are, and who you should be. You make that decision for yourself and others should do the same.

Thalia Vallejo , 'Fable Love,' 2024, Monoprint

Joseph Vicente, 'Scattershot!'

Scatter. Scatter. Shot! A piece full of pizzazz, purple, and pop. I decided to go chaotic and a tad bit elegant with this artwork. My “holy” trio of colors–peppy purple, glossy green, and bold blue (rad nicknames honestly)–were used to create the piece. I intended ‘Scattershot!’ to be full of character, hence a touch of crayon and paint! Plus, it possesses loads of shapes and cascading lines. It’s authentic to how I write, and overall, how I go about life–with spontaneity! Boom, mic drop.

Joseph Vicente, 'Scattershot!,' 2024, Monoprint
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